Angel: Love, Death, Mercury
Purity, sacredness, divinity—what we now imagine as an “angel” was once something far more dangerous. In early alchemy, angels were not gentle guardians but catalysts of transformation, aligned with fire and mercury, bringing revelation that could just as easily destroy as enlighten. The divine, then, was never meant to be safe—only true.
Pop culture as a subculture?
@immachunslut is a transnational producer moving underground scene to the world.
Her sound traces migration, queer survival, and the politics of visibility, where frequency becomes both memory and resistance.
The underground is not a genre or a location, but a condition;
a space to experiment, to become, and to stay alive.
moving image, installation, and research-based practices.
YEERI WANG is a Chinese trans woman artist working across moving image, installation, and research-based practices. Grounded in lived experience and community archives, her work traces trans embodiment, fatigue, and survival within Chinese and East Asian contexts, where bodies are shaped, regulated, and continually negotiated.
For Wang, trans existence is not a narrative of arrival or cure, but a condition of ongoing becoming. Through vulnerability, failure, and accompaniment, her practice insists on collective witnessing—staying with what cannot be resolved, and imagining survival as something carried together.
what truly constitutes a self and what resists reduction?
MELODY CHAN @melodyc.art is a multidisciplinary artist based in London, working across pixel art, digital drawing, photo editing，and low-poly 3D modelling.
This project is not a f lag-waving declaration, nor another tired slogan on the chessboard of politics, but a group of young people who feel out of place in both Eastern and Western worlds, using their most mocking, playful language to poke fun at the cultural and political labels surrounding them.
The Miseducation of A Ladyboy
